REALITY IS BETTER BY FAMILY STROKES NO FURTHER A MYSTERY

The delightfully deadpan heroine in the heart of “Silvia Prieto,” Argentine director Martín Rejtman’s adaptation of his own novel of the same name, could be compared to Amélie on Xanax. Her day-to-working day life  is filled with chance interactions and a fascination with strangers, while, at 27, she’s more concerned with trying to chang